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Product Description How to describe Nobuhiko Obayashi’s indescribable 1977 movie HOUSE (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via a series of mattes, animation, and collage effects. Equal parts absurd and nightmarish, HOUSE might have been beamed to Earth from some other planet. Never before available on home video in the United States, it’s one of the most exciting cult discoveries in years. desertcart.com Infamous Japanese whatsit House is the ultimate 1970s artifact. The animated opening recalls The Rocky Horror Picture Show, while former ad man Nobuhiko Obayashi extends the anything-goes impression through freeze frames, painted backdrops, and old-timey flashbacks. He starts by introducing schoolgirls Fantasy (Kumiko Ohba) and Gorgeous (Kimiko Ikegami) to groovy H.R. Pufnstuf-style music. Then Gorgeous's widowed father presents his new bride, Ryôko (Haruko Wanibuchi), who enters like Joan Crawford in a flowing white gown. Afterward, Gorgeous invites Fantasy, Melody, Kung Fu, Prof, Sweet, and Mac to her aunt's house for the summer. Little does she know that Ryôko plans to crash the party. While they gather at the train station, the film slips into slapstick Monkees territory: a shoemaker croons as Fantasy's crush object, Mr. Tôgô (Kiyohiko Ozaki), trips over Gorgeous's green-eyed cat, Blanche. The girls make it to the country without incident, but the moment they arrive at the cobweb-covered estate, freaky things start happening: Auntie (Yôko Minamida) and Blanche, for instance, have met before. The ladies delight in the weirdness, enjoying a meal and exploring the grounds, but then Mac disappears. Auntie and Blanche, meanwhile, find novel ways to entertain themselves. Soon, mirrors are cracking, mattresses are flying, blood is flowing, and a piano goes berserk. There's only so much the girls can do, so they pin their hopes on Tôgô--and his sideburns--to set things right.House arrives for the first time in the United States with a testimonial from House of the Devil director Ti West, who declares it "one of the most original films I've ever seen"; Emotion, an experimental short; and a featurette in which Obayashi credits his daughter, Chigumi, for several plot points. Fans of Carrie, Suspiria, The Evil Dead, and Pee-Wee's Playhouse: meet your new cinematic obsession. --Kathleen C. Fennessy Review: Don't Tear Down This 'House' 'Till You Have a Look Inside... - Normally, I would NEVER even consider watching the bonus supplements or featurettes prior to watching the film itself, for the most obvious reasons - spoilers, hindsight recollections and justifications, and often the BS that those involved in production conjure up several decades after the film was made to make themselves appear more clever and grandiose than was probably the case. By the same token, if I don't enjoy a film, I usually can't be convinced by these features that I'm missing the boat - you either like something or don't, with few exceptions, IMHO. That said, sometimes, as infrequent as it is, when I'm still scratching my head when a flick is over, the bonuses will illuminate and enlighten to the point where I now have received the clarification necessary for me to fully comprehend and enjoy aspects of a film obscured to me for one reason or another. Such is the case with 'House', almost more so than any foreign flick I've ever seen. When a film is hyped up to be 'all that', my expectations lead me to be only one thing - let down. When you read the desertcart product details as well as the dvd cover description, the promise sounds far too brilliant to be realized, so I decided to do a little research. After reading several website reviews, I felt I was getting farther from the truth instead of closer, so I decided to watch the bonus features before I sat through the actual movie. This is one of the few times when doing so proved to be absolutely essential to my overall viewing experience and ultimate enjoyment of this minor yet remarkable movie. There aren't many spoilers, at least none that would detract from your gratification, and to hear the way the film evolved directly from the mouth of director Nobuhiko Obayashi added the necessary seasonings to appreciate the film for what it is, what it isn't and what the hype tells us it should be. "An episode of 'Scooby-Doo' as directed by Mario Bava"? Puh-leese... I've seen every Bava flick there is and there's no such similarity - maybe Seijun Suzuki is who they meant. (By way of Tim Burton, but now I'm adding to the hype...). By the time I actually sat through the film itself, I had a better understanding of what this film actually was, and could judge it on its own merits, budgetary and special effect restraints, constraints and sheer brilliance in execution and concept alone. As a result, I was able to thoroughly enjoy this anomaly in film from the 70's without reserve and would strongly suggest to anyone remotely interested in this film to do likewise - you won't be sorry you did. (PS- The bonus 1966 experimental film is another added treat of sorts, and viewing it in advance will also increase your appreciation of the main feature). A solid four star film I'm adding one star to for its sheer originality, and to make up for some of its unwarranted detractors here on desertcart. You want different? You got it! Review: As Picasso said: every child is an artist. (Read last paragraph). - *Great odd-ball classic of 60s 70s experimental filmmaking.* It is both very Japanese and also universal in that time period of experimental cinema, I'd compare it (very loosely) to Jodorowsky's stuff (El Topo etc), the Rocky Horror Picture Show, etc. Somehow it has been marketed as horror, maybe the "story" is somehow in the horror vein, but I can't imagine anyone older than 4 or 5 being at all scared by it. It is more of an odd somehow cutesy ghost story. It is charmingly childish and ineffably loveable. So many things- manner of filming, editing, story plot turns, are quirky and interesting. They almost all work, and it really comes across as an artistic vision, unfiltered by compromise, multiple creators, or producers/ studio demands. *You will like this if you like:* film of that period, experimental or avant-garde film, Japanese ghost stories, off-beat stories and storytelling, children's art. *This reproduction* is good, though a little dark, it is of that era. And in the case of this dvd, the extras are ALL worth watching, well produced, commentary and interviews, a real treasure for cinema aficionados/ japanophiles. Of especial interest were the memories of the director's daughter, who was like 5 (?) and present during a lot of production. Apparently it was partly made for her and also partly made by her. He would go to his daughter with certain ideas and ask her what she thought or what would happen next. This explains a lot of the charmingly odd plot twists. As Picasso said, every child is an artist.
| ASIN | B003WKL6XA |
| Actors | Kimiko Ikegami, Kumiko Ohba, Yoko Minamida |
| Best Sellers Rank | #13,358 in Movies & TV ( See Top 100 in Movies & TV ) #367 in Horror (Movies & TV) |
| Customer Reviews | 4.6 4.6 out of 5 stars (2,343) |
| Director | Nobuhiko Obayashi |
| Is Discontinued By Manufacturer | No |
| Item model number | CRRN1930DVD |
| MPAA rating | NR (Not Rated) |
| Media Format | Color, Multiple Formats, NTSC, Subtitled |
| Number of discs | 1 |
| Product Dimensions | 0.7 x 7.5 x 5.4 inches; 2.72 ounces |
| Release date | October 26, 2010 |
| Run time | 1 hour and 28 minutes |
| Studio | Criterion Collection |
| Subtitles: | English |
4**R
Don't Tear Down This 'House' 'Till You Have a Look Inside...
Normally, I would NEVER even consider watching the bonus supplements or featurettes prior to watching the film itself, for the most obvious reasons - spoilers, hindsight recollections and justifications, and often the BS that those involved in production conjure up several decades after the film was made to make themselves appear more clever and grandiose than was probably the case. By the same token, if I don't enjoy a film, I usually can't be convinced by these features that I'm missing the boat - you either like something or don't, with few exceptions, IMHO. That said, sometimes, as infrequent as it is, when I'm still scratching my head when a flick is over, the bonuses will illuminate and enlighten to the point where I now have received the clarification necessary for me to fully comprehend and enjoy aspects of a film obscured to me for one reason or another. Such is the case with 'House', almost more so than any foreign flick I've ever seen. When a film is hyped up to be 'all that', my expectations lead me to be only one thing - let down. When you read the Amazon product details as well as the dvd cover description, the promise sounds far too brilliant to be realized, so I decided to do a little research. After reading several website reviews, I felt I was getting farther from the truth instead of closer, so I decided to watch the bonus features before I sat through the actual movie. This is one of the few times when doing so proved to be absolutely essential to my overall viewing experience and ultimate enjoyment of this minor yet remarkable movie. There aren't many spoilers, at least none that would detract from your gratification, and to hear the way the film evolved directly from the mouth of director Nobuhiko Obayashi added the necessary seasonings to appreciate the film for what it is, what it isn't and what the hype tells us it should be. "An episode of 'Scooby-Doo' as directed by Mario Bava"? Puh-leese... I've seen every Bava flick there is and there's no such similarity - maybe Seijun Suzuki is who they meant. (By way of Tim Burton, but now I'm adding to the hype...). By the time I actually sat through the film itself, I had a better understanding of what this film actually was, and could judge it on its own merits, budgetary and special effect restraints, constraints and sheer brilliance in execution and concept alone. As a result, I was able to thoroughly enjoy this anomaly in film from the 70's without reserve and would strongly suggest to anyone remotely interested in this film to do likewise - you won't be sorry you did. (PS- The bonus 1966 experimental film is another added treat of sorts, and viewing it in advance will also increase your appreciation of the main feature). A solid four star film I'm adding one star to for its sheer originality, and to make up for some of its unwarranted detractors here on Amazon. You want different? You got it!
G**N
As Picasso said: every child is an artist. (Read last paragraph).
*Great odd-ball classic of 60s 70s experimental filmmaking.* It is both very Japanese and also universal in that time period of experimental cinema, I'd compare it (very loosely) to Jodorowsky's stuff (El Topo etc), the Rocky Horror Picture Show, etc. Somehow it has been marketed as horror, maybe the "story" is somehow in the horror vein, but I can't imagine anyone older than 4 or 5 being at all scared by it. It is more of an odd somehow cutesy ghost story. It is charmingly childish and ineffably loveable. So many things- manner of filming, editing, story plot turns, are quirky and interesting. They almost all work, and it really comes across as an artistic vision, unfiltered by compromise, multiple creators, or producers/ studio demands. *You will like this if you like:* film of that period, experimental or avant-garde film, Japanese ghost stories, off-beat stories and storytelling, children's art. *This reproduction* is good, though a little dark, it is of that era. And in the case of this dvd, the extras are ALL worth watching, well produced, commentary and interviews, a real treasure for cinema aficionados/ japanophiles. Of especial interest were the memories of the director's daughter, who was like 5 (?) and present during a lot of production. Apparently it was partly made for her and also partly made by her. He would go to his daughter with certain ideas and ask her what she thought or what would happen next. This explains a lot of the charmingly odd plot twists. As Picasso said, every child is an artist.
Z**9
One of those movies that most will either love or hate
Campy, surreal, silly, abstract, these words and their synonyms are what best describes this movie. You have probably never seen a movie like this, if you have it is probably not as well done. It is a low budget film, but the cheap special effects(compared to the present) are well done and contribute to the overall feeling of the movie. The characters have nicknames that have to do with their interests, and personalities to go with those interests. Not really a horror movie or gorefest, it turns those tropes on their heads. It is quite enjoyable and quite different. If you don't like the so-called 'art' films or anything different you won't like this film. If you are looking for something so different that it is indescribable this is a movie for you. I really loved this movie, and I was not prepared for the unusualness of it. This is one of those movies that most will either love or hate, but either way it is worth a watch. I would like to add that this movie is in a genre all by itself, and the the soundtrack has some great music.
A**D
An absolutely bonkers horror movie you'll never forget
A group of friends go on a summer vacation to one girl's aunt's house, only to find themselves the targets of a haunting. And somehow that description still doesn't do this film justice. The visuals are insane and surreal, like someone made a feature film with the bizarre visuals and logic of the craziest Japanese commercials you've ever seen. Words can't quite describe it, especially since I don't want to spoil anything. Just be aware that this is a cult classic for a reason, and enjoy the craziest trip you'll ever experience from just watching a movie.
T**T
Classic
Love this movie, and this is a fantastic edition!
S**D
This film has been slathered in praise when in fact it is merely low budget exploitation disguised as a horror romp. Barely a short films worth of material stretched to feature length, the film really plays like a student film where all contributing artists were allowed to run wild. A live action Saturday morning cartoon with corny violence and female nudity. Draw a straight line from this to films like Machine Girl and Tokyo Gore Police, but be careful, those films are definitely not for most.
R**S
El día de hoy conseguí House del año 1977, parte de la afamada Colección de Criterion, esta película es única, tanto en efectos especiales como en surrealismo y locura, algo sumamente inolvidable. El DVD llegó en excelente estado y rápido. Incluye un hermoso folleto con información de la película, sinopsis y más. Únicamente cuenta con idioma Japonés y subtítulos en Inglés.
M**T
This movie has a definite Scooby-Doo vibe. Fun flick that is absolutely wild. Might not be everyone's favorite, but worth checking out.
S**W
I live in Australia and this movie is not available here. This product said that it worked in all regions, and was the reason I bought it and paid nearly double the price compared to other versions. When I got the disk it said it did not work as it was the wrong region. Very disappointed.
八**樹
もう最高です。
TrustPilot
1天前
1 周前