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NATIONAL BESTSELLER • Riveting, elegant, humorous—this "picaresque voyage through Patti Smith’s dreams and life, blending fiction and reality, conjured characters and actual ones” ( The New York Times ) is a moving and original work, a touchstone for our turbulent times. I llustrated by Smith’s signature Polaroids. Following a run of new year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, in which she debates intellectual grifters and spars with the likes of a postmodern Cheshire Cat. Then, in February 2016, a surreal lunar year begins, bringing unexpected turns, heightened mischief, and inescapable sorrow. For Smith—inveterately curious, always exploring, always writing—this becomes a year of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Taking us from California to the Arizona desert, from a Kentucky farm to the hospital room of a valued mentor, Smith melds the western landscape with her own dreamscape in a haunting, poetic blend of fact and fiction. As a stranger tells her, “Anything is possible. After all, it’s the Year of the Monkey.” But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Including a new chapter, "Epilogue of an Epilogue," and ten new photos, Year of the Monkey “reminds us that despair and possibility often spring from the same source” ( Los Angeles Times ). Review: Stirs my soul. - What can I say? I'm a fan of Patti Smith's work, be it music or literature. And yes, this is literature of the finest kind. Review: ”…the trouble with dreaming is that we eventually wake up.” - ”Marcus Aurelius asks us to note the passing of time with open eyes. Ten thousand years or ten thousand days, nothing can stop time, or change the fact that I would be turning seventy in the Year of the Monkey. Seventy. Merely a number but one indicating the passing of a significant percentage of the allotted sand in an egg timer, with oneself the darn egg. The grains pour and I find myself missing the dead more than usual. I notice that I cry more when watching television, triggered by romance, a retiring detective shot in the back while staring into the sea, a weary father lifting his infant from a crib. I notice that my own tears burn my eyes, that I am no longer a fast runner and that my sense of time seems to be accelerating.” This often reads as though it were written under a fever-dream and other times the random musings of the poet ”…plucking inspiration from the erratic air”, all the while trying to focus on the things which are established, and her memories of the years gone by. At this point in her life, she has just celebrated her 69th birthday, is contemplating turning seventy in the coming year, concerned over two friends whose health was rapidly fading, the then-coming election, all while drinking lots of coffee, and mourning those who have passed on, and feeling helpless toward those merely hanging on. ”There was work to be done, concerts to perform, lives to live, however carefully.” And the lives of two men that she loved would be gone before another year arrived. ”The wooden bed in the corner of the room seems so far away, and all is but an intermission, of small and tender consequences.” And as the new year starts winding toward the next one, the chants of the coming election seem inescapable, but her thoughts drift more often to her loved ones, both here and gone, the fragility and temporary nature of this one life we are given. Life, love, death, aging, politics, music, poetry, writers, reading, the economy, pollution, all these and more fill and fuel these pages. Some are filled with lovely thoughts, some with frustrations, and some with heartbreaking reminiscences. If you’ve read any of her former memoirs, you may remember of her penchant for including her photographs, ones that typically remind her of a time when someone she loved was there by her side, although there are many that are reminiscent of a place she visited. These things are not just ‘things,’ though, they are real moments in time, captured in some object whose significance may or may not be recognized by anyone else. Like a lullaby, they give her comfort. They are transportation back to that moment, allowing her to relive those feelings, those memories. ”I plodded up the stairs to my room reciting to myself, Once I was seven, soon I will be seventy. I was truly tired. Once I was seven, I repeated, sitting on the edge of the bed, still in my coat. “Our quiet rage gives us wings, the possibility to negotiate the gears winding backwards, uniting all time.” Years ago my brother sent me a box of books, and inside that box was a copy of her ‘Just Kids,’ and then when her ‘M Train’ came out, he sent that, as well – but after reading ‘Just Kids’ I would have bought my own copy, hoping that the magic was still there. I love the way she writes, and her personal stories that she shares. I didn’t think she could match her ‘Just Kids,’ and for some maybe she doesn’t, but I loved this as much, maybe just a smidgen more. I think for some it will be more relatable. ”…the trouble with dreaming is that we eventually wake up.” If you are not a reader who typically read the epilogue, do yourself a favour and make sure you read her final chapter, entitled A KIND OF EPILOGUE.



| Best Sellers Rank | #130,975 in Books ( See Top 100 in Books ) #55 in General Books & Reading #280 in Author Biographies #305 in Rock Band Biographies |
| Customer Reviews | 4.6 out of 5 stars 1,829 Reviews |
M**K
Stirs my soul.
What can I say? I'm a fan of Patti Smith's work, be it music or literature. And yes, this is literature of the finest kind.
C**S
”…the trouble with dreaming is that we eventually wake up.”
”Marcus Aurelius asks us to note the passing of time with open eyes. Ten thousand years or ten thousand days, nothing can stop time, or change the fact that I would be turning seventy in the Year of the Monkey. Seventy. Merely a number but one indicating the passing of a significant percentage of the allotted sand in an egg timer, with oneself the darn egg. The grains pour and I find myself missing the dead more than usual. I notice that I cry more when watching television, triggered by romance, a retiring detective shot in the back while staring into the sea, a weary father lifting his infant from a crib. I notice that my own tears burn my eyes, that I am no longer a fast runner and that my sense of time seems to be accelerating.” This often reads as though it were written under a fever-dream and other times the random musings of the poet ”…plucking inspiration from the erratic air”, all the while trying to focus on the things which are established, and her memories of the years gone by. At this point in her life, she has just celebrated her 69th birthday, is contemplating turning seventy in the coming year, concerned over two friends whose health was rapidly fading, the then-coming election, all while drinking lots of coffee, and mourning those who have passed on, and feeling helpless toward those merely hanging on. ”There was work to be done, concerts to perform, lives to live, however carefully.” And the lives of two men that she loved would be gone before another year arrived. ”The wooden bed in the corner of the room seems so far away, and all is but an intermission, of small and tender consequences.” And as the new year starts winding toward the next one, the chants of the coming election seem inescapable, but her thoughts drift more often to her loved ones, both here and gone, the fragility and temporary nature of this one life we are given. Life, love, death, aging, politics, music, poetry, writers, reading, the economy, pollution, all these and more fill and fuel these pages. Some are filled with lovely thoughts, some with frustrations, and some with heartbreaking reminiscences. If you’ve read any of her former memoirs, you may remember of her penchant for including her photographs, ones that typically remind her of a time when someone she loved was there by her side, although there are many that are reminiscent of a place she visited. These things are not just ‘things,’ though, they are real moments in time, captured in some object whose significance may or may not be recognized by anyone else. Like a lullaby, they give her comfort. They are transportation back to that moment, allowing her to relive those feelings, those memories. ”I plodded up the stairs to my room reciting to myself, Once I was seven, soon I will be seventy. I was truly tired. Once I was seven, I repeated, sitting on the edge of the bed, still in my coat. “Our quiet rage gives us wings, the possibility to negotiate the gears winding backwards, uniting all time.” Years ago my brother sent me a box of books, and inside that box was a copy of her ‘Just Kids,’ and then when her ‘M Train’ came out, he sent that, as well – but after reading ‘Just Kids’ I would have bought my own copy, hoping that the magic was still there. I love the way she writes, and her personal stories that she shares. I didn’t think she could match her ‘Just Kids,’ and for some maybe she doesn’t, but I loved this as much, maybe just a smidgen more. I think for some it will be more relatable. ”…the trouble with dreaming is that we eventually wake up.” If you are not a reader who typically read the epilogue, do yourself a favour and make sure you read her final chapter, entitled A KIND OF EPILOGUE.
R**A
Get inside the creative mind of an original and innovative artist
Patti Smith is one of the most creative artists of our time. Her new book, "Year of the Monkey," is further testimony to the inventive mind of an original and innovative virtuoso. As she drifts up and down the Pacific Coast, and back and forth across the country, a “diary” of her thoughts becomes transformed into text, giving readers an intimate look into her mind and her thinking—Patti Smith about to turn seventy. Not only is the concept and the prose unique, but the grammatical and stylistic choices she has made with the book are singularly distinctive. Not sure I’ve seen another book like this since the days of the 1950s modernist writing. (Richard C. Brusca: author of "In the Land of the Feathered Serpert" and about two-dozen other books)
G**A
Magical Realism
The Year of the Monkey was a different animal from M Train, the preceding Patti Smith book I read. Poignant clarity characterized the latter, while Year of the Monkey lapses in and out of slightly hallucinogenic magical realism, still poignant. The book’s first and second halves (using the term loosely, not mathematically) don’t quite mesh. In the first, Patti embarks on an elegiac road trip that was supposed to include a friend, who fell mortally ill. It’s hard to tell what’s real and what’s not on this journey, as hard as it is coming to terms with a life bereft of friends one has known for 40 years. In the second half of the book, Patti reflects on the Van Eyck brothers’ celestial oeuvre and succumbs to its lure via a pilgrimage. Maybe because of all the loss she’s suffered, Patti seems to view everything in her environment, whether organic or inorganic, as weighted with significance. At first I didn’t get what other reviewers meant by complaining of name-dropping, but I finally realized they were referring to the literary and artistic allusions sprinkling the narrative. She has committed the ultimate sin, in the USA, of (a) being erudite and (b) not pretending she isn’t. How refreshing! Whatever the book’s flaws, I wouldn’t have missed reading it for the world.
P**T
Patti Smith never ceases to amaze me
Every time I read a book by Patti Smith i never know what to expect. In her latest, The Year of The Monkey, Patti Smith has created a book that is much like a painting.The story must be contemplated and observed to fully appreciate the narrative. One never knows where Smith will lead the reader, but the journey is absolutely breathtaking, exploring topics like death, aging, food, coffee, dreaming, topography and even politics. The Year of the Monkey manages to cloak Smith in mystery while inviting the reader to share her innermost thoughts and wry observations. The Year of The Monkey is a haunting and sometimes humorous read that i will return to again and again. I am so grateful to have Patti Smith in my life. She is a National Treasure.
H**7
Fantastic
Yet another great volume by Patti Smith.
T**E
Travels with Patti Smith: a Journey
I wasn't sure what to expect. I loved JUST KIDS, and I really liked M TRAIN. I was drawn into YEAR OF THE MONKEY from the get-go. I believed it. Did these things really happen? I have no reason to believe they didn't. I loved the quirky people she meets and the odd experiences she has. She approaches it all as if there is nothing unusual to any of it. Maybe there is nothing unusual to any of it. Maybe Smith sees this exquisite world that the rest of us miss.
J**E
A loose mix of dreams and reality, that didn't always manage to hold my attention
A strange book, that mixes more down to earth, autobiographical, journal entry style observations, with dreams and flights of fancy, focused mostly on the events the author experienced or imagined throughout the year 2016 / the year of the monkey, a haunted year, the year when Patti Smith turned 70. Personally, I appreciated the more straight forward sections (talk about books, a lecture she gave about libraries, the stuff about visiting her friend in a coma and the memories of some of the time they spent together), but some of the more fuzzy dream sequences, and more obscure flights of prose poetics didn’t always capture my attention. I don't think it's the kind of book that anybody would pick as their absolute favorite, its thrust is maybe too obscure and personal, and sometimes forgettable. Yet, it's mostly a pleasure to ramble a bit (it's a pretty short read) in the musings of someone who has stayed true to their school for over seventy years.
J**N
Year of the monkey
Patty Smith’s book , just like the last two books, didn’t disappoint me. This was well written, insightful, and a bit sad. Very good, I highly recommend reading this book. It’s not just for her fans, just because it’s a must read.
H**A
Excellent
I could read this again to feel the feelings once more. Patti Smith never disappoints
D**E
Fun read
I love Patti Smith's writing. This book was a fun hole to fall into, a quick meandering read that is nothing like Just Kids but I loved it just as much.
J**R
Toll geschrieben und absolut empfehlenswert!
Patti Smith habe ich erst vor Wochen wiederentdeckt nach Jahrzehnten (LP Easter, 1978, als ich 20 war) und mir in der Folge die CDs billig holen können, war so beeindruckt, daß ich jetzt auch dieses aktuelle Buch von ihr gelesen habe. Eigentlich ein 'Road Movie' über das Jahr 2016 zwischen ihrem 69. und 70. Geburtstag; literarisch sehr gut, Themen wie: Drohende Trump-Zeit, Altern, Verlust von Freunden und Angehörigen, für mich sehr gewinnbringend dargestellt; habe manche Seiten doppelt gelesen, um meinem nachlassenden Englisch nachzuhelfen. Immer wieder bereichernd ihre Fotos, die eine neue Dimension dazugeben. Ein schönes gutes Buch, sehr empfehlenswert!
G**S
Another wander through Patti,s thoughts
I feel like I need a notebook when I read Patti , to note all her references .... They are all fascinating , and inspiring and only leave me wanting more ...
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