PreSonus Revelator io44, USB-C, Audio Interface, For Music Production And Streaming With Built-in Mixer And Easy-to-use Effects Presets Plus Studio One DAW Recording Software

I had tried the Presonus Studio 24c first and whilst that is a good little audio interface, it wasn't suitable for my specific needs.I have an old Boss BR-1180 digital studio mixer with a load of old recordings that I'm currently transfering over to the computer. With no USB input on the Boss, the only way to do this is to record everything in real time using a DAW.I connected the Studio 24c using an RCA to TS cable and whilst this enabled me to record in stereo, I was unable to monitor the recordings on my Boss machine in stereo prior to recording them in the DAW.Enter the Revelator io44. Whilst this appears to be more geared towards podcasters it's actually perfect for my needs. I currently have the Boss connect via an RCA to TRS cable and everything sounds great. I'm able to monitor in stereo prior to recording and I'm finally able to get these old recordings into my DAW for further editing.

The whole package is a good price and qualityThe software studio one artist is a good daw .the interface is excellent .I would recommend this to friends and family

I’d been looking for something like this for years - audio interface with DSP for mic processing.Sounds fantastic with undetectable latency although I wish it was possible to configure the speaker mute button as a mic mute button.

Hopeless interface. Sometimes it would work ok, but usually it wouldn't play any audio. Life is too short for this rubbish. On the plus side the Martin House Charity currently has one to buy for only a few pounds!I've always used Focusrite before this Presonus interface, and Focusrite it is for the future...

If rather a Scarlet solo at this point. All I wanted was good quality plug and play but there so many dumb hoops to jump through with this thing. I just want a refund.

Me gusto mucho, calidad de materiales, calidad de audio, muy contento

コンパクトなのに、性能が良い。OBSを使わずしても、声と音BGMを個別に設定出来、この子がMIXしてくれた音をそのまま乗せれるので、一々同期オフセットをしてズレを直したりしなくても綺麗にしてくれます。UniversalControllerで簡単に調整出来ます配信(歌枠)などに使うにはとても便利だと思います。

Qualidade surreal pelo preço! Eu tenho um microfone Takstar TAK55 e não gostei muito da qualidade dele, já tinha até anunciado. Eu usava com uma interface m-audio solo, agora decidi testar outra interface e comprei essa na promoção. Pra minha surpresa o meu microfone era incrível, mas estava usando uma interface muito ruim. O som ficou mais alto, mais limpo e muito mais bem definido. Pro meu uso foi perfeito. Espero que dure por muitos anos.

If you understand the bugs of this audio interface it's great. They fixed most of the bugs but it can work with or without a computer as an effects processor, which causes problems at times, sometimes the effects processor doesn't respond on the headset and 3.5mm stereo input, and you're stuck with the presets. I pray they will fix this in the next Universal Control update.I use this audio interface because of the virtual loopback IO to route audio to my headphones and not to the speakers, and to mix sources and get audio effects for desktop apps. In OBS you want a monitor feed for your headphones, and occasionally I need a separate speaker mix that doesn't feedback. Stream B is the audio that goes to the app like OBS or Zoom. I use the XLR preamp for my Audio Technique AT2005USB mic, and I use the headset preamp for my Comica HRM-S interview mic as a desk mic and that works perfect, I usually don't need a dynamic mic, the HRM-S is the best video mic to use near walls & computer monitors bar none. I use the 3.5mm audio input to add more people to my podcast using a Motu 8Pres MKII audio interface and a 4-channel headphone preamp. It works remarkably well for the price.There are three major cons; the first is the above mentioned DSP glitch. There is some RF interference with some class D amplifiers and you might want to get a USB cable with some ferrite beads if you have RF issues with this audio interface. Those run about $15-$20, they aren't common. Three is that there isn't enough gain for many wireless mics, which output -20db to use with +20db preamps. It is 24-bit and you can use the Stream B submix and the +12db line level gain for +22db gain. That sounds fine but is just a bit frustrating.The preamps aren't as good as Audient but for my use case it's good enough, no one cares for live streaming if you have a $800 sound card. You should optimize to reduce clutter and cable mess, and for me this unit works for that. I use the audio interface in combination with my expensive rack mount 28-channel audio interface. It's worth buying for the effects processor alone; ADC and DAC are good enough for a loud concert but preamps aren't good enough for many pro audio engineers.