Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

Wrong description and the camera doesn’t work well. Please Writte the description probably and the refund made after 20 days roughly.

BEWARE! the camera is recieved was second hand. Did not including instruction manuals or any documentation that a new one usually does. The peel off stickers from the handle was missing again proving it was not brand new. Also came with an off brand plug adaptor and cable once again showing it was not new. It also appears to be a grey import from hong kong because of the labels on it. You do NOT get a manufacturer warranty with grey imports. Now don't get me wrong I have purchased grey imports before but nothing at this price point. If I knew I was going to recieve a grey import I would have just purchased one from e infinity for cheaper and taken the risk. Not impressed. Also the box was very banged up

Compre este artículo porque ofertan MSI. Ni Amazon ni mi banco respetaron dicha promoción y están cobrando en una sola exhibición, si, el producto es excelente, pero lo publicitan de manera engañosa. Ahora veo que la opción de comprarlo directamente en la tienda SONY OFICIAL hubiera sido la mejor opción. La atención de Amazon no me ha servido de nada, ellos se lavan las manos. Mi banco se lava las manos. Y a mi solo me queda la opción de regresar ellos producto y cancelar mi cuenta Amazon Busisnes. Pintaba muy bonito para ser real. Después de 8 años hoy me he llevado un fiasco con esta empresa.

This camera is a work horse and even though it is 6 years old I would still recommend this camera today.

I tried a bunch of different cameras and lenses in order to find the perfect camera for live production / streaming. I needed a camera which is a) full frame b) can output clean 16:9 on hdmi or sdi c) the 16:9 output is coming from full sensor width read (not just a 1:1 read tiny crop from the middle of the sensor like other cameras, i'm looking at you BMDCC6K) d) great in low light The FX3 simply checks all these boxes out of the box, and even more. The colors, dynamic range, sharpness, everything out of the box was superb immediately, with very minimal tweaking. I couldn't get close to this particular look with any other cameras, even when I used the exact same lighting and lenses. Every camera has strengths and weaknesses, the FX3 is no exception. Other cameras might has better UI/OS (BMD), better price, or a different color science which might be preferred for others. For my particular use case - high quality live stream with full frame lens, low light - it's beyond perfect.

Ok listen....Let me give you a piece of advice. Five star ratings don't come easy by me. And if you're worth your grain of salt- you already know that there isn't, and never will be the "perfect cinema camera". BUT if there were a camera (along with the A7s iii) the FX3 would be as close as you're going to get for a long time, especially at this price point. (Rant Coming) Ok, so it doesn't have but in ND's, or global shutter...Who cares! The sensor readout "feels" like it has global shutter. Get some screw on ND's or a matte box. Really, this camera makes you face the things that truly hold you back. Like lensing, pre-production, lighting, set design, good scripts, and talent! Some advice here: If you're on the fence and can't decide if you should get an Arri Alexa, Red Raptor, BMCC or the like- then explain to me why we have our work on Food Network, Broadcast Commercials, and award winning film shorts. To sum it all up here (and I'm talking to my younger, film school Canon 5DMkii self here) If there was a camera system that held you back the least in the professional world it would be the Sony FX3 (or A7Siii). We currently have the Red Raptor XL, Arri Alexa mini, Canon C200, Panasonic GH5 (love this little powerhouse), Sony A7s iii, Sony FX3, and Sony A7RV. Guess which ones are the most freeing and generate the most profit. Yeah, a full 5 stars for Sony...

fantastic quality, prores RAW with atomos is incredible. Same workflow used on The Creator. Check out "Compositing Academy: Virtual Production with Jetset" if you want to see how we used the FX3 on it.