---
product_id: 4678604
title: "Wagner: Parsifal [Blu-ray]"
price: "HK$423"
currency: HKD
in_stock: true
reviews_count: 8
url: https://www.desertcart.hk/products/4678604-wagner-parsifal-blu-ray
store_origin: HK
region: Hong Kong
---

# Wagner: Parsifal [Blu-ray]

**Price:** HK$423
**Availability:** ✅ In Stock

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- **What is this?** Wagner: Parsifal [Blu-ray]
- **How much does it cost?** HK$423 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.hk](https://www.desertcart.hk/products/4678604-wagner-parsifal-blu-ray)

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## Description

Wagner: Parsifal [Blu-ray]

## Images

![Wagner: Parsifal [Blu-ray] - Image 1](https://m.media-amazon.com/images/I/81pyOX4dJdL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Unforgettable production and performances...
  

*by R***N on Reviewed in the United States on January 7, 2015*

Not usually a fan of 'modern' or 're-imagined' productions that stray far from the composer's concept or intent, I approached this Parsifal warily, having read early reviews and seen production photos online. Of course, news of the bloody stage of Act II further set off alarms. Having experienced live and on video several 'Eurotrash' productions in the 80-90's (Turandot, Die Tote Stadt etc), I was prepared to walk out at the end of Act I of the LIve HD broadcast in my local cinema.But no.From the very beginning of the Prelude, with the reflecting but transparent curtain gradually revealing the 'citizens' standing in their modern clothes - the men in white shirts, ties and black jackets, the women in black dresses with veils - moving seemingly at random, and then the men taking off their coats and ties and shoes. Watching the individual singers/dancers, the expressions on their faces, it was clear something almost surreal was taking place. Something emotionally overwhelming was happening onstage; every person was a participant in this story and obviously affected by it.Watch Amforta's two attendants, who support him throughout, physically and emotionally. Watch their faces and body movements. Shattering.I have the DVD of the Met's 1993 Parsifal with Sigfrid Jerusalem et al; and cherish it as much for its traditional staging and its spiritual faithfulness to Wagner's vision as for the music and vocal talents of the cast (Bernt Weikel's Amfortas especially).But this Parsifal stands alone and apart.The movements and actions of the people on stage reflect the words and actions of the principals; like a Greek Chorus they reflect on and punctuate and intensify the action. Watch their faces (get the Blue-Ray) and you will see they are as moved by what they are doing and seeing and hearing as we are.About the bloody spear-carrying Flower Maidens of Act II. Here they are Klingsor's guards as much as Parsifal's would-be seducers. Their syncronized movements are again as a Greek chorus. (a bit of missed drama here as Parsifal takes the spear)Another reviewer has said 'this is not a Christian opera'.The themes of sacrifice, salvation, love, selfless charity are Christian values.This is the story of the 'holy Grail', the cup used at the Last Supper that contained wine symbolizing Christ's blood; the spear that pierced Christ's side, and Gundry, who reveals she witnessed the Crucifixion and mocked Christ on the cross, therefore being forever cursed.So no matter how 'modernized' it may be, and with references to Buddah, it is a 'Christian' Opera.The pain suffered by Amfortas, to be relieved only by the 'pure fool' who will endure much pain and duress to save him...the ultimate baptism and salvation of Gundry...the reuniting of man and woman and rebirth of the Earth...with clouds and Planets and dunes moving and floating continuously across the backdrop are a living part of the action and not just a gimmick.The glory of Act III builds and then plunges to the final sublime and heavenly final transformation. Amfortas falls into his father's grave; he grasps the spear to the wound and is healed. Gundry is finally saved and falls lifeless.This is a complete re-interpretation in staging, but true to the Composer's theme and intent...and it achieves greatness, I think. Somehow, I saw and heard things I had never heard or understood in many previous viewings of the opera.  I wonder what the composer would think.Open your ears and eyes and be prepared to challenge your very conception of Parsifal.  I pulled my chair closer to the bigscreen Hi-def TV; turned up the surround sound, like being just in front of  the orchestra pit.My only complaint would be: the stream begins to flow again, and the sky blazes, but where is a blade of grass, a flowering branch or single flower to illuminate the glory of Spring and Resurrection, as the music portrays and Gunemanz proclaims?This is a performance that repeated viewings only enhances and deepens; I have yet to show any of my non-Wagnerian friends. It is too personal, and how do you explain to them how and why it affects us so?Get the Blue-Ray, and watch the faces and movements of the entire cast.I'm getting verklempt all over again.....

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Don't Let the Bad Review Keep You from This!
  

*by C***H on Reviewed in the United States on April 8, 2015*

This is a fantastic production of Parsifal if you can tolerate modern adaptations. I generally prefer a traditional, as intended, production but there are times when the modern adaptation works. In this case, it works beautifully.Remember, you're reading a skeptic. I almost dreaded seeing what is going to happen to Kaufmann in this opera. Sure enough, they get his shoes and shirt off but the silliness ends there. The acting and singing in this production are pretty close to perfect---again, Kaufmann isn't the greatest actor in the world though he well may be the best tenor. However, acting befuddled and confused suites him perfectly in this role.I don't think he fully assumes the title of keeper of the Grail and Spear collection at the end of the opera. He still doesn't really seem to get it. I give Kaufmann a B+. (only because of acting)Pape on the other hand hits it so far out of the park that they'll never find the ball. Acting and singing are perfect. He nails it. A+Katarina Dalayman is really good Kundry. She seems to understand the personal hell that Kundry faces daily. She wants to do good but is owned because of her transgression. This is a tough role very well performed. Solid A for Katarina Dalayman.Peter Mattei is a terrific Amfortas. Man, I feel your pain. A+Maestro Gatti steers the orchestra for 4 1/2 hours of perfection.I cried at the end. It's that powerful. It's that good. Watch an act each night and savor it. This is well worth adding to your collection. It's a beautiful work of art.The staging? I thought it was rather interesting. It delivers the right message at the proper time. No, you don't get people in knight costumes running around a castle and you get a meadow scene with blooming flowers---well, sort of. You do get a good feel for what Wagner was trying to say...Don't let the bad reviews scare you off. It's wonderful. And I'm very critical.

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Finally 5 Star Surround Audio from the MET
  

*by R***R on Reviewed in the United States on June 22, 2015*

I have over 150 classical DVD/BRs that I watch on a 120" screen and listen through a 7.2 loudspeaker setup where the front speakers are about 9' 6" apart and the surround / surround back speakers are placed where they ought to be. The room has sound treatments so I hear what's on the disc, not distorting reflections from the walls. My reviews concentrate on the surround audio, as you can pretty much judge the video and stereo for yourself on youtube and similar sites.Surround track is listed as DTS HD-MA 5.1, but I listen to it in 7.2 with the receiver doing the decoding.I don't think that I have ever praised a MET surround recording, but here it is:Sound stage 180 degrees? CheckOrchestra detailed recorded? CheckGood balance between principals, chorus and orchestra?  CheckVoices are clear and move with the principals? CheckNo drastic voice fluctuations?  CheckApplause from the sides and not the front?  CheckResult: 5 Stars for the surround audio, that seems to have been recorded with stage microphones only.The staging helped with the stage on an angle and plenty of dirt that will not reflect as well as a wooden floor. Then what seems like 6 feet of carpet before the stage microphones that will further dampen unwanted reflections. The direction with pretty much everything in slow motion and the principals facing forward makes for a relatively uniform sound and still allows the depth of the stage to be captured.Much to my surprise Post Production Audio Mix was still Ken Hahn, who shows that he can mix once he's given clean and enough channels. Audio Supervisor was John Kerswell, 10 names are given for Audio. My compliments.Let's hope that this is the new surround audio standard of the MET

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*Store origin: HK*
*Last updated: 2026-02-22*