Gulliver's Travels (Dover Thrift Editions: Classic Novels) Paperback – Unabridged, September 18, 1996

Gulliver's Travels is such a great classic that it is difficult to write any sort of regular review. So instead I have compiled a list of observations.Isaac Asimov, the distinguished writer, scientist, and Sci-fi buff, speculates that the made-up languages in Gulliver's Travels are basically nonsense; then he turns around and speculates that Lilliput is a corruption of "little bit". Good guess! - but maybe it's "little part" or "little pint"? Asimov also gives a other cases where highly plausible decipherments can be made.Interestingly, Swift's made-up languages often have a definite Italian ring. Swift himself says so much when commenting on the language of Laputa. Did Swift have a particularly admiration for Italian? Did he study it?It is usually assumed that most events and characters in Gulliver are veiled satires on England, and its misrule of Ireland. Perhaps. But maybe Swift was also poking fun at the Italian states. The "good old days" for which Swift pined may then be those of the Roman empire.It is often claimed that the fourth book is the best, and the third book the weakest. I disagree! Possibly from a purely stylistic standpoint the fourth book, on the horse-people, IS the best. But this is not enough to make it the most interesting. The Houyhnhnms represent Swift's idea of purely rational, benign beings. They don't lie, and have virtually no crime. But frankly, they are boring! They appear to have neither dreams nor aspirations, and little imagination. They spend much of their time in busy-work - apparently so as to stay out of trouble, in the manner of certain monastic orders. Perhaps the real trouble is that humans have a limited capacity for imagining perfect goodness. Look at the divine comedy triptych painted by Bosch. Which is the most interesting panel? The one on heaven? I don't think so!The third book (the one about the flying island of Laputa) contains a wealth of ideas - even if hastily written. Asimov points out that, unlike the other books, in the third book Swift takes considerable pains to explain "the marvelous" in scientific terms -- at least to the extent such explanations are possible. This is a hallmark of science fiction, as opposed to fantasy. A strong case can be made for Swift as the first true sci-fi writer. Consider, for example, his amazingly prophetic description of the two moons of Mars.Here is another example of Swifts amazing prescience. It is from Laputa, and illustrates the major concerns of Laputa's scientists:"These people are under continual Disquietudes, never enjoying a minutes Peace of Mind; and their disturbances proceed from causes which very little effect the rest of Mortals. ... That, the Earth very narrowly escaped a Brush from the last Comet, which would have infallibly reduced it to Ashes; and that the next, which they have calculated for One and Thirty years hence, will probably destroy us."Don't we incessantly hear about the grave dangers comets and asteroids pose to us?

I was pleasantly surprised by Gulliver's Travels, a book that I expected to be a tediously difficult read. Instead, I found it to be fast-paced and interesting, though filled with references to various bodily excretions almost to the point of obsession. Having been introduced to some of the book's cool words that have been dictionary-ized (like "Lilliputian" and "Brobdingnagian") in Lemony Snicket's A Series of Unfortunate Events, I enjoyed learning a bit about how they came to be, though was most intrigued by two countries, Laputa and Luggnagg, that I'd never heard of before.In Part I, Gulliver sets out on his first voyage and lands in Lilliput, were the natives are only one-twelfth his size. After freeing himself from bondage, he ingratiates himself with the Lilliputians in various ways, including, in a moment of quick thinking, putting out a fire through peeing, in one of the many bodily-excretion-related incidents Swift shares with the reader. Another, on the same island, involves his dismay at having to...ahem...rid his body of fecal matter, including the lengths (involving wheelbarrows) that the locals must go to to facilitate the situation. Typical throughout his travels, Gulliver is able to learn the language and get on good terms with the native people. As happens after each major stop, he heads home to hang with the wife and kids, then and goes off on his next adventure. In Part II, readers learn about his second destination, Brobdingnag, basically, the land of the giants. Field laborers track him down and his caregivers end up showing him off to others at times as a sort of freak due to his diminutive size. Due to bad feelings about him on the part of a dwarf, he's involved in several "accidents" involving things like apples, a dog, etc. Again, he heads home. In Part III, where he visits several destinations, he gains passage as a ship's surgeon. Unfortunately, the captain takes on some bad guys, which leads to Gulliver being left adrift. He finds his way to Laputa, the land of math and music, where, among other things, the island is a perfect circle and its residents eat things formed into perfect geometric shapes. From there he moves on to Balnibarbi; Lagado, where they employ some backwards-seeming practices for plowing and constructing houses; Glubbdubdrib, where persons from the world over may be called up from the dead and questioned for a period not to exceed 24 hours; and Luggnagg, land of the extremely intriguing Struldbruggs, whose status as immortals turns out not to be as appealing as one might expect. In Part IV, he journeys to the "Country of the Houyhnhnms," where, in Planet of the Apes-like fashion, the beasts (horses) rule, and the Yahoos, more primitive versions of humans, are ruled.Within the story of his various adventures, even a semi-oblivious (in terms of history and politics) person like me will find interesting discussions about and references to social, religious, political, and philosophical issues that still exist today, almost 300 years after Swift wrote Gulliver's Travels. Also good: Silence by Shusaku Endo, Shogun by James Clavell, and Mayflower by Nathaniel Philbrick.