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🎤 Own the low-end throne with the Audix D6 — where every beat commands attention!
The Audix D6 is a professional cardioid dynamic microphone engineered for kick drums and bass instruments, featuring a 30Hz–15kHz frequency response and a max SPL of 144dB. Its VLM diaphragm ensures swift attack capture, while the cardioid pattern rejects unwanted noise, delivering focused, powerful, and clear low-frequency sound. Built with durable billet aluminum, it’s a plug-and-play powerhouse favored by pros for stage and studio use.






| ASIN | B0002MJCLO |
| Antenna Location | stage performances, studio recordings, broadcasting |
| Audible Noise | 20 db |
| Audio Sensitivity | 144 db |
| Best Sellers Rank | #11,197 in Musical Instruments ( See Top 100 in Musical Instruments ) #49 in Multipurpose Dynamic Microphones |
| Brand | AUDIX |
| Built-In Media | microphone |
| Color | Black |
| Compatible Devices | Radio, Amplifier, Speaker |
| Connectivity Technology | XLR |
| Connector Type | XLR |
| Customer Reviews | 4.8 out of 5 stars 191 Reviews |
| Enclosure Material | Aluminum, Nylon |
| Frequency Response | 15 KHz |
| Global Trade Identification Number | 00687471121047 |
| Impedance | 200 ohm |
| Item Dimensions | 8.85 x 4.4 x 2.7 inches |
| Item Type Name | D6B Professional Dynamic Instrument Microphone Black |
| Item Weight | 14.88 ounces |
| Manufacturer | Other |
| Mfr Part Number | D-6B |
| Microphone Form Factor | Microphone Only |
| Model Name | D6 |
| Model Number | D-6B |
| Number of Channels | 1 |
| Number of Items | 1 |
| Polar Pattern | Unidirectional |
| Power Source | Corded Electric |
| Recommended Uses For Product | stage performances, studio recordings, broadcasting |
| Signal-to-Noise Ratio | 85 db |
| Special Feature | 30Hz–15kHz frequency, Dynamic Microphone, Maximum SPL of 144dB |
| UPC | 811501045496 615435506265 634654502391 811501043942 687471121047 |
| Unit Count | 1 Count |
| Warranty Description | 1 year. |
M**N
Stop Shopping... Buy This Mic
Like so many others have said about this kick drum mic, it sounds great!! I did a ton of reading reviews and searching for mics online. I'm glad that I got this Audix D6 I am really impressed with it, and quite surprised at how good the sound was to begin with - plug & play. Full disclosure: I am using the Kelly SHU internal micing system, so my mic is a bit further into the drum than normal. No hole needed in my bass drum head, the cable runs out of the air hole on the bottom of the drum, and to the XLR outside the shell. The back of the mic, about an inch from the inside of the front head. My sound guy likes the way it sounds, beefy with some good attack with it pointing to where the head meets the shell. First time setting it up, and I was done. No need to re-set the position. It required very little EQ. And the build quality is great - like a solid piece of billet aluminum. I highly recommend this!
W**A
Very impressed….
Very pleased with this purchase, I run it through a Midas M 32R and it has amazing punch and clarity. Easy to dial in.
J**N
Best kick mic available.
Unless you actually like your bass drum to sound like a cardboard box (d112) or a muffled lifeless thump (beta 52), the D6 is the mic for you. It’s natural response requires almost no eq. Works in the studio and live. I own 2 and I bring them to gigs when I play 2 kick drums and, unless I’m playing a venue of considerable size and quality, they don’t have anything better on hand... or 2 kick mics at all. You can probably buy a better kick mic for a lot more money, but you’d be hard pressed to get a useable one for any less. Of the standard choices, I will only use this one for close mic of a ported drum. Engineers have tried to use other mics on my drums, but a quick A/B test and they’ve all come around and agreed that my D6 sounds better than whatever they wanted to use. You can’t argue with the sound.
K**L
Solid and Versatile
I ended up getting 2 of these just on the off chance I have a drummer bring two kicks. Sounds best buried well into the port or about an inch off the head, be careful putting one right at the edge of the sound hole, the turbulence will mess with it and it'll be mushy sounding with. Play around with placement to get best results as with any mic. Bright and modern sounding but can get a nice classic thump if you don't over boost it. Can't foresee needing any different kick mic for anything else, with two of these in the kit I'm good to go, they leave me wanting for nothing.
A**S
LO RECOMIENDO
MUY BUEN MICROFONO
E**H
Great for Rock and Metal
These bad boys are awesome! I have owned an Audix D6 for years and finally got a second a while back. It does a really good job of capturing the bass from a kick drum or bass cabinet. The microphone is certainly better-suited for hard rock or metal, as it does tend to give a somewhat "scooped" sound, but in a mix, it is not that big of a deal. When recording bass cabinets, I would recommend a good, balanced condenser microphone to go along with this one to make up for the loss of mids. To that point, the Audix D6 does a pretty good job of capturing upper mids, but you may not like the particular frequency it accents. -K
S**M
Received in unsealed box.
The mic was shipped in the box the mic comes in, no outer shipping box or mail bag, with the address label over 2 sides of the box, but not where the opening is. The box was delivered inside my garage, which I subscribe to, but it was not sealed at all. They could have at least stuck the address label over the the open side, so that no one could open it. As far as I can tell, nothing is missing from the box and nothing seems damaged. It just bothers me that that's how they ship a $185 microphone. So that's why I'm giving it 3 stars. I bought it to use with my cajon, which I play in an amplified acoustic band. I've been using an Audix ADX-60, sitting on foam inside the cajon. The ADX-60 works ok, but when I try to crank it through my "rig" and give me a low ring that I can't seem to EQ out. I added a second internal mic, a Sennheiser e835, clamped to the sound hole and pointed at the snares. I decided to try a kick drum mic just for the low end. I haven't had time to really experiment with the EQ settings. Maybe it will be 4 stars.
J**N
Versatile!!!!
The best and most versatile kick drum mic I’ve ever had. Studio, live, whatever genre I’m working that day…it shows up and shows out!!! Beautiful!
M**M
Good service
Good product
P**S
Wowowowo le top pour un mic de kick
Wowow c’est de loin un des meilleur mic de kick J’ai un shure beta 92 et beta 91 Mais oufff le son du D6 wowowowo Quelle basse tout un son Je l’adore🎶🎶🎶
N**B
No-Brainer
Ein klasse Bassdrum Mikrofon. Macht auch ohne viel EQ Einstellung schon einen knackigen Sound.
D**L
Muy bueno para Kick
Un muy buen micrófono para kick Para usarlo en Live es brutal le da un toque muy chulo al kick y es más fácil de hacerle la eq
A**ン
以前から気になってた
以前から気になってたのでポチリました。多くの方々の言う「キックマイクとしてノンEQでok」とありますが、SHURE Beta52を普段から使っている私には物足りない感じでした。比べるのも何ですが、、、 低域専用としてはまずまずだと思います。
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3 days ago
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