About the Author John Wagner is the co-creator of "Judge Dredd", "Strontium Dog", "Ace Trucking Co.", "Button Man" and many other series for 2000 AD. His graphic novel "A History of Violence" has been adapted into a critically acclaimed hit film by David Cronenberg.Greg Staples's stunning artwork was been a fixture of 2000 AD for many years, working on "Brigand Doom", "The Clown", "Downlode Tales", "Judge Dredd", "Sinister Dexter", "Sláine", and for DC "JLA: Riddle of the Beast" Steve Dillon is a fan-favourite 2000 AD writer and artist. His pencils have graced "A.B.C. Warriors", "Judge Dredd", "Rogue Trooper", "Ro-Jaws" and "Tyranny Rex". Dillon shot to international superstardom as a result of his work on DC/Vertigo’s Preacher, co-created with 2000 AD’s Garth Ennis. He has also worked on "A1", "Animal Man", "Captain Britain", "Deadline", "Global Frequency", "Hellblazer" and "Punisher". Kev Walker has illustrated an acclaimed run on DC’s "L.E.G.I.O.N." and Marvel Comics’ "The Eternal". He is the co-creator of "Badlands" and "The Balls Brothers", and has also provided artwork for "Dan Dare", "Judge Dredd", "Future Shocks", "Harlem Heroes", "Mercy Heights", "Rogue Trooper", "Time Twisters and "Tor Cyan". For the Judge Dredd Megazine, he wrote "The Inspectre" and has illustrated "Judge Anderson", "Mean Machine" and "Wynter". Read more
G**N
the buttist cometh
This is one curious graphic novel. Perhaps a compilation of the essential stories detailing the everyman-turned-headbutting-mechanical maniac, Real Mean is a typical 2000 AD Mega-City excursion into one of the more obscure though perhaps genuine characters in the Dredd-verse. And if anything, this book is all about character development...or not. It's hard not to choose the correct option (presented in You Are the Mean Machine) that involves some variation of the sound effect "BOK" and a good amount of head flinging based on Mean's thought procession. Nay, this could be a higher meditation on the plight of the underprivileged common man of the science-wrought future, his metaphorical chains being only his anger unraveling within. But probably not; Mean Machine is an antithesis of Dredd, with poor grammar.It's not as if Mean's demeanor is wishing-well deep, for he is not a ponderous creature. When asked a question or faced with an unfamiliar situation his typical fallback response is either the ominous "izzat so?" or the click of his forehead dial "straight to 4", set to vicious. It matters not, as both lead to his signature head-butt, preferably "down to a greasy spot" if given the opportunity. And don't let his overcompensating mechanical claw (apart from his missing, nubby left limb) distract you; his head plate is the thing, and his aim is true.And that's basically it. Nothing other than mayhem accompanies him, whether his fault or not. Ever pursued by the judges, Mean propels through the pages in all locales both temporal and physical. In the ubiquitous back alley, stolen and bullet-riddled transport vehicle (windowless, of course) or even the odd time machine, to impersonating nuns in the local hospital's surgery unit, Mean is nothing more than a whirlwind of gristled nastiness best avoided on its blind trajectory elsewhere. Whether exacting revenge, fatherly frustration, even the bliss of unexpected matrimony or just a good "buttin", readers are given significant pause of his weird state of samadhi.What makes this compilation intriguing is the detailed art accompanying the sparse, often breakneck pacing inevitably ending in loose teeth and oozy puddles. Apart from the longer, more colorful entries scripted by John Wagner and drawn by Richard Dolan, the ones written by Gordon Rennie, especially The Geek, are just as (if not more) brilliant. One part dumb bludgery, another comic satire, and a third tragic noir, Real Mean makes a bizarre and provoking (thoughtfully or otherwise) reading experience indeed.