Between Two Fires

Between Two Fires is an absolute triumph in historical fantasy. Christopher Buehlman weaves a rich, immersive tale set in medieval Europe, full of dark magic, complex characters, and morally gray choices that kept me hooked from start to finish. The world-building is incredible — you can feel the grit, danger, and atmosphere of the time period while also being drawn into supernatural elements that feel perfectly integrated. Fans of dark fantasy will appreciate the novel’s vibe, which has strong Diablo- and Dark Souls-like elements: terrifying creatures, haunting landscapes, and a pervasive sense of dread that makes every encounter feel tense and high-stakes. The supernatural threats are both mysterious and deadly, giving the story a thrilling, game-like intensity. The protagonist is compelling and nuanced, and the supporting cast is just as memorable, each with their own motives and flaws. The pacing is excellent, balancing tense action sequences with quieter, character-driven moments that deepen the story. Buehlman’s writing is sharp, evocative, and often darkly humorous, which adds a unique voice to the novel. What I loved most was how unpredictable the story is — nothing feels clichéd, and the twists genuinely surprised me. It’s a book that makes you think, feel, and sometimes shiver, all at once. If you love dark fantasy with heart, danger, and unforgettable characters, especially with video game-style dark fantasy elements, Between Two Fires is a must-read. It’s easily one of the best novels I’ve read this year.

A deliciously grimdark historical fantasy horror, written for a particular niche of reader. The atmosphere is cruel and oppressive, with a lot of the aesthetic derived from classic Grimdark fiction, and the characters are suitably murky. Perhaps not the deepest piece of fiction I’ve ever read, but it was a welcome palate cleanser and I enjoyed every minute of my time with the book.

The story is great, but the binding is terrible, the pages keep falling out of the book! Very disappointing quality.

I was recommended this title as someone who loves Berserk and Elden Ring, and wanted more of that kind of atmosphere but as a novel. Whilst those elements are all here in this book (and masterfully done), this book has all that, but offers so much more. I wasn't expecting to be so profoundly moved by moments in this book; the characterisation is incredibly well done. The action pieces are incredible, but it's the softer moments in this story which has resonated with me in far more ways than I thought this book would provide. I genuinely couldn't recommend this title more.

Ok. Before we talk about this book, let’s talk about another one. The Blacktongue Thief, the 2021 debut fantasy by Christopher Buehlman, was a marvel. One of the best fantasy debuts I’ve ever read, it showcased Buehlman’s talents: astonishing wordbuilding making each page come alive with new information; a deeply disturbing sense of the grim and the horrific; a pitch-perfect sense of comedy that made it the funniest fantasy since Pratchett; a penchant for the poetic, the tragic and the soulful that was all the more powerful for its conjunction with the aforesaid humour; and a talent for linguistic playfulness that meant that each page was an etymological meal in itself, to be slowly devoured lest the book ends too quickly. Now before this turns into a review of that (yeah yeah, I know, too late) I want you to understand how excited I was when I discovered that Buehlman’s writing roots are in horror, not fantasy (horror being my other favourite genre, my blood-soaked Watson to fantasy’s Holmes). The book I chose to introduce myself to his horror oeuvre was Between Two Fires, which on its front cover is described as an epic tale of medieval horror, leaving you in doubt as to his ambition and intent here. Between Two Fires is set in 14th century France, currently being devastated by the plague. But behind the plague there are more sinister and unholy forces at work, and an odd trio of an orphaned young girl, a knight stripped of his lands and an alcoholic priest must traverse this country ripe with pestilence and monsters, both human and devilish, on a quest to save both themselves and, perhaps, the world. The first thing to note is that any book with the bubonic plague in has an in-built advantage that this is one of the most fertile grounds for horror. The terror of a village waiting for the plague to hit, the random unfortunate events that bring said plague to its walls; the sheer despair as vast populations are wiped out: Buehlman mines all the potential of the Black Death to its upmost. But this is a book of monsters as well as plague, and while it would be spoiling it to say much more on this, take it from me that there are some scenes in here that will fester in your very soul and linger there, grinning. Those of you who have read the Blacktongue Thief and enjoyed the very vivid scenes of goblins, Kraken and the like can be rest assured that the creature moments here are of a dark variety so unhinged and hellish that even a jaded horror veteran like myself had to take a moment to collect myself after certain sections. Buehlman is not just a purveyor of the depraved though (though boy is he that too); he is a master of character, and relationships. The character of Thomas, the fallen knight with a tragic past, is a classic one: a man tempted to do bad desperately struggling to keep on the righteous path. His relationship with Delphine, the orphaned girl who becomes much more than that, is complicated but redemptive in all the best ways. But perhaps the best moments of character come when we are introduced to minor characters who appear only briefly (often before being dispatched in various horrific ways). Buehlman has a talent for making these brief cameos seem very real, often heart-breaking so; his penchant for realistic dialogue of humour and soul immediately creates very real relationships with the most passing of people. In this respect, Buehlman can put himself up there with the true master of this, fantasy legend Robin Hobb. We also need to talk about this book’s ambition. While the first half is very much a tour of depravity and faint hope across the plague-torn villages and towns of medieval France, the second half, or at least the last third, becomes… something else entirely. I won’t give anything away, but Buehlman has a masterplan here, a grand scheme, and things get very chaotic very quickly. It’s at this point that you will know for sure if this book is for you. Those of you who like their epic novels a little more disciplined, or structured, may get lost at this point amid the chaos. But if, like me, this book already had its gore-stained hooks in you by this point, then you will see meaning and planning in the chaos, and it will sweep you along to the supremely ambitious finale, which Buehlman pulls of (just). And it’s at this point that you realise what this book has achieved; a masterful tale about the redemption and hope that can be found even amongst true horror that can rank among the greats covering this fertile narrative ground. Do I like it as much The Blacktongue Thief? No. But that’s an unfair comparison, like criticising the Hobbit for not being the Lord of the Rings. But it left a mark on me, and broke my heart and warped my mind in so many places I was exhausted by the end in the best way, having completed a brimstone-scorched marathon with the scars to prove it. So there we have it. Buehlman is a master of horror as well as fantasy. Lucky bastard.

This is my first book by Christopher Buehlman. I absolutely loved it. Very captivating with a lot of depth. Horror with plenty of dark humour, history, epic battles, monsters, adventure... It has it all!

There's a lot to recommend this. The basic premise is terrific, the writing is good, the tale is nicely gritty. The only real weakness is the story arc. You know the SORT of ending you're going to get early on - and between that early point and the end, there are few developments, no real surprises, just a lot of *stuff* happening on the way to the (inevitable) conclusion: and that stuff, honestly, could have been better, more imaginative, given the book's great set-up. This is still a good read, I don't regret buying it, but could have been better.

Este libro se siente como los audios de Tiktok de Dark Fantasy pero mejor. Lo leí porque lo recomendaban si habías jugado Dark Souls y la verdas es que sí se parecen pero no son iguales. Cada uno es precioso a su manera.

WOW! This was definitely the best book I've read in AGES! Very close to perfection! The conceit of the story is that during the 1300s in France, when the Black Death is devastating Europe, the demons of hell think God has abandoned the world and use their chance to conquer earth. The only person who can stop them is a saintly young French girl named Delphine (no, not Joan of Arc), but Hell and its servants are after her, and the only person who can protect her as she travels through France to try and stop the demonic plots is a disgraced former knight reduced to brigandage, Thomas. But is she really an agent of God, or someone--or something--else? That's the mystery at the heart of this book, along the terrifying depictions of overtly supernatural monsters that gird much of its horror. I don't wanna give too much away, but though this was advertised to me as a horror novel, it also works very well as a sword and sorcery fantasy novel--it's not actually that different from a D&D plotline, in that a wandering swordsman with a good heart buried underneath his checked past/desire for revenge has to protect a young girl against giant demons, undead monsters, and other beasties as she travels the land searching for relics to stop the demonic plot and save the kingdom, assisted by a trusty cleric sidekick. However, Buehlman has really done his research, and despite the monsters you'll encounter, he treats medieval religion realistically (lots of corrupt clergymen) but also sympathetically ("true" faith is portrayed as a force for good and hope). The descriptions of the arms and armor, medieval life, and the big battles of the Hundred Years War like Crecy (given the novel's timeframe) are also very historically accurate and compellingly written. The combat scenes are nice and the characters are great, you'll come to love Thomas and Delphine and you wo't be able to keep yourself from grinning as Thomas grows attached to his young ward despite himself over the course of the story. And again, no spoilers, but the ending was one of the best I've read in a while, nearly brought me to tears. Absolute 5/5, I'm gonna get the rest of Buehlman's books to show my support for this author :D

I bought it for summer reading, I'm going to write this summer and wanted something easy to read in the evening when I'm winding down. It's perfect! Just the right short chapters, an intriguing pilgrimage and a budding, unusual friendship bond between individuals who might not be expected to be friends. Medieval-horror-feelgood so far, I'm all in, rooting for the main characters to grow close and make it through.

Loved this book. The story is well written, the tempo and context are very well presented. The author was capable of capturing the feeling of the time period. recommend this read

I had not heard of this novel before. It starts a bit slowly and then builds up beautifully. It is an apocalyptic novel set in medieval Europe haunted by the plague. It is battle between god and evil with two protagonists leading the way - and old knight and a young angelic girl. This has a lot of gore and violence. Even Banks would be proud of it, I guess. overall, much recommended to those who can tolerate a bit of gore.