Dark Knight, The (BD) (Steelbook)

It's nice to know that a film with such high expectations has finally met them. It's record-breaking box office sales certainly do serve to highlight this very thing, having raked in $66.4 million on its opening day and accruing a whopping total of $155 million its opening weekend, breaking both records set by 2007's "Spider-Man 3". With five scenes filmed with IMAX cameras, the untimely death of one of its lead actors and talk of the film being THE summer blockbuster of 2008, it makes one want to buy that extra-large tub of popcorn because it's worth the experience.And experience it you will. "The Dark Knight" has set a new precedent for comic book movies and fan boys everywhere will be gushing praise for Christopher Nolan's artsy and dignified portrayal of one of the oldest and most classic hero-villain combos of all time.The movie kicks off with, appropriately enough, a bank heist, Nolan gearing his audience up for the ride of their lives. The perps are donning ghoulish clown masks as they spray gunfire about the building and load up cash from the vault. As they scramble to make their getaway, one by one they systematically kill each other, their group impregnated with a sinister paranoia. Ultimately there is just one left standing at the end of it all and he makes a grand exit in a school bus, disappearing into the traffic-riddled metropolis whilst law enforcement arrives moments too late.Meanwhile, under the assumption that Gotham's most serious threats are now subdued and/or gone (Ra Al Ghul and the Scarecrow from "Batman Begins"), Batman seeks to share the load by joining forces with Lt. Jim Gordon (Oldman) and District Attorney Harvey Dent (Eckhart), the man whom Bruce Wayne would most like to appoint as Gotham's new and legitimate savior. Gordon's and Dent's staunch approach to upholding the law is just what the city needs in order to dismantle its organized crime, but their dynamic triumvirate proves to be no match for the machinations of a criminal mastermind known only to the public as The Joker. In the instant that the Joker appears, he makes his demands known to the criminal underworld and then proceeds to swoop in and take what he wants by force, despite their refusal to collaborate. Unlike the parasitic monsters that had plagued Gotham in the past, The Joker is after a much bigger prize: the capitulation of Batman and the subsequent surrender of Gotham's citizens to his inconstant wiles. In his fight to stop him, Batman will come face to face with good and evil and in the end has to choose between maintaining the delicate equilibrium of Gotham or romancing the unattainable.Director Christopher Nolan (who co-wrote the script with his brother Jonathan, the man responsible for the story behind 2000's "Memento") strayed from Burton's gothic surrealism and instead created a brooding and subdued metropolis in the previous film (Batman Begins); he continues this sultry but perilous landscape in "The Dark Knight" and this is the feel that "Batman" was meant to have all along. An original score by James Newton Howard (The Sixth Sense) and Hans Zimmer (Gladiator) breathes even more life into the enthralling action, and with Wally Pfister's superb cinematography and effective editing from Lee Smith, Nolan and crew have created a perfectly-paced, heart-stopping thriller that will have you completely oblivious to its 2 hour and 30 minute time frame.Christian Bale is the best of the caped crusaders yet, his personification of Bruce Wayne the enigmatic and somber soul that has always been portrayed within the pages of DC Comics. Where Burton never dared to venture, Nolan has Bruce Wayne savoring his elite businessman lifestyle by cavorting around with beautiful women (at one point, Wayne is aboard a yacht with the entire female entourage of the Russian ballet). I'm sorry to say however that Bale, despite being a great actor, is overshadowed not only by Ledger's spectacular turn as the Joker but also all the mystic buzz that Ledger's death inspired. Despite it all, he gives Batman/Bruce Wayne grace and dignity, along with an emotional wound that serves to once again spur his waning battle against terror.Maggie Gyllenhaal, as said by many critics, is an improvement over the bland Katie Holmes (though I'm sure some would've loved to see Holmes sitting in the proverbial "hot seat" near the end of the film); she shows a bit more spunk and tenacity and the chemistry between herself and Bale is certainly more believable. Caine is dignified and sentimental as Alfred (the best Alfred yet) and Morgan Freeman gives another stately performance as Lucius Fox, Batman's highly skilled supplier of all his "wonderful toys".Who really gets a chance to show some diabolical skills is Aaron Eckhart as Harvey Dent, the man who would ultimately become Two-Face. Eckhart's make-up job combined with additional CGI is grotesque and awesome in all its glory, combined with a spellbinding portrayal of a man who becomes as cold-blooded as the psychotic who disfigured him. Credit must also be given for a superb and subtle Gary Oldman as Jim Gordon, the man who would be Gotham's future Commissioner.Though Jack Nicholson was a real hoot as the Joker in Tim Burton's 1989 adaptation, 28-year-old Ledger blows him off the map with an exceedingly strange, devilish and frightening portrayal of madness personified. This Joker is not someone to be trifled with - his "magic trick" involving a pencil will induce shock and disgust, and this is in only the first thirty seconds that he is introduced face-to-face with the audience. Upon further introduction, none will be able to turn their eye from the haphazardly applied make-up which only serves to highlight his disfigurement rather than conceal it, the nasally and freakish intonations, the queer lip-licking and the unpredictability of his reflexive malice.Heather Ledger is, quite simply, marvelous.This will no doubt earn him a posthumous nomination for Best Actor come 2009's Oscars, possibly even a posthumous win (co-star Michael Caine has made a similar statement). That makes watching Ledger cause his audience to shiver that much more bittersweet - it evokes the same "what might've been" sadness that River Phoenix, another young promising talent, did with fans when he died suddenly from a drug overdose on Halloween in 1993. I didn't want the movie to end because I knew that there would never be a reprise from this actor so young yet so adept at his craft, let alone a repeat performance of the maniacal Joker in a potential sequel.Bottom Line: A tour-de-force on all levels. Though you be an action fan, a comic book nerd, a movie-goer or simply a fan of the many talented actors and actresses within "The Dark Knight", all elements of the film will have you lying in wait eagerly for a sequel. It just can't get here soon enough.

Audiences of all kinds flock to theaters on the opening day of super hero movies. These movies have the potential to appeal to both younger and older audience members, each gender, and families. Usually, the hero is what draws the crowds. The general public loves an inherently good and well- developed super hero who triumphs over evil. Of course, some over budget chase scenes never hurt either. However, when it comes to Christopher Nolan’s The Dark Knight, it is the villain that truly makes the movie. The Joker, who was developed in a way he had never been before this movie, drives the plot and the central meaning of the movie by acting as a foil to the hero, Batman.Heath Ledger’s portrayal of The Joker was incredibly different than anything ever done before. In the 1960 Batman television series, Cesar Romero was the actor behind The Joker. His character was dubbed, “The Crown Prince of Crime”. This Joker was seen as a psychotic, yet harmless killer. At this time, The Joker was thought of as amusing. The audience would have been able to better sympathize with him because he just could not seem to be the villain he wanted to be, no matter how hard he tried. In the 1989 Batman movie, Jack Nicholson was The Joker. At this time, the character began to become a little bit darker. His appearance was less clown like and was said to be a result of a chemical accident. Nicholson was still able to stay true to the comic portrayal of The Joker, which was more of a goofy prankster while starting to exploit the more short-tempered and murderous side of the villain. In contrast, Mark Hammil’s portrayal of the Joker in 1990 was incredibly cold and authoritative.In 2008, Heath Ledger created a Joker that had never been seen before. The Dark Knight’s antagonist was completely psychotic, with absolutely no trace of human reasoning or logic. The character was demonic and frightening. The humorous or jokester aspects of the character were not implemented for any sort of comedic enjoyment, but rather to highlight the exceedingly deranged mind of someone who could never be human. The Joker shows his disgustingly psychotic side many times throughout the film. In his introductory scene, the Joker crashes a mob meeting. We may think that The Joker would want to work with the mob since they are both considered “bad guys” however, the mob mocks the Joker for being a “freak” and The Joker proceeds to kill one of the members with a “disappearing pencil trick” that involves a pencil through the brain. Not only does this act show the audience that The Joker is on a whole other level of evil than the typical bank robber, it is also has a symbolic meaning. The pencil represents education and order, which the Joker uses to kill the man by stabbing it into the most logical part of the human body, the brain. By doing this, the Joker is showing the audience that he believes order and logical thought will never overcome chaos.The Joker is not one to take part in organized crime because he personifies anything but organization. The Joker embodies chaos and disorder. We see this in the scene where The Joker blows up the hospital. He has no reason to blow up that building other than the fact that it contains innocent individuals, and causing a havoc on that specific place will upset the general public. He has no internal motivation to destroy the hospital specifically because he does not possess any form of logical thought. When the camera pans back to show The Joker walking away from the burning hospital in a nurse uniform, it allows us to see that the Joker shows absolutely no remorse when blowing up the building. The camera angle allows us to see the accomplished look in his face and the nurse’s costume adds to the sardonic nature of The Joker. While a nurse can be seen as a figure of health and security, the Joker exemplifies contrasting qualities such as traumatization and danger.The Joker’s characteristics of evil, chaos, and disorder allow him to be a foil to Christian Bales’s character, Batman. Batman embodies a high moral standard and the goodness of people while The Joker is the exact opposite. Batman explains that his one rule is that he will never kill anyone. The Joker explains to him, while dangling from a building in one of the concluding scenes, that he would never kill Batman either. The Joker’s purpose was not to kill Batman, like a typical villain, but rather to de-mask, humanize, and criminalize him, making this movie much more dark, yet incredibly more interesting and unpredictable than others of its kind. The Joker acknowledges that if he were to kill Batman, he would no longer have a purpose. This means that the two characters are destined to fight forever, which drives the conflict of the plot. As The Joker says, “This is what happens when an unstoppable force meets an immovable object.”The Joker is also able to be a juxtaposition to Batman through appearance. Batman is a very large and muscular man whereas The Joker has a very skinny and long frame. While Batman dresses in dark clothing, and prefers to stay in the shadows (like a bat), the Joker dawns bright clothing and makeup that draws attention to his face and scars. While Batman may try to hide his past, The Joker embraces it, telling many different stories of the origins of his scars throughout the movie in order to intimidate people before he harms them. The Joker’s high voice and screeching cackle also contrasts with Batman’s incredibly deep and mysterious voice. Batman is a man of very little words and only speaks when absolutely necessary, while The Joker loves to speak just to be heard. Even when the audience cannot visibly see the Joker in the scene, we can usually hear him or his laugh. In order to know that Batman is in the scene, the audience has to see him first. The Joker enjoys calling attention to himself through his clothing and voice. He does this in order to make a statement. The Joker is trying to force people to see evil as an inevitable and omnipresent human quality which is why he allows himself to be so noticeable through clothing and television advertisements. Batman acts as a more humble juxtaposition who does not want to be seen. The Joker’s laugh also acts as an omnipresent presence which allows that theme of evil to be obvious throughout the entire movie.The overall message of the film is that all humans have the potential to be good in nature and that good will always triumph evil, although the battle is constant. These ideas are constantly challenged by The Joker which drives the plot. The Joker is constantly putting people in places where they have to make impossible ethical decisions in the hopes that they will inevitably make a wrong decision that showcases the evil nature of humanity and make an example of them to the rest of the world. He does this multiple times throughout the film, but his efforts culminate at the finale of the movie when he attempts to pull off his largest scheme. When he forces the two different groups of people onto two different boats, one group of innocent civilians, and the other a group of convicts, to either kill the other ship or die, he expects the evil and selfish nature of humanity to take control of their decisions and blow up the other ship. The ships act as an isolated community, away from the city. The Joker uses the ships as a motivation for the people to leave their human nature behind, in the city, and make and evil decision. Although there is some heated debate on the ships as to whether or not they should push the button that destroys the other ship, both groups decided not to do it. They would rather die themselves than be responsible for killing others. This shows that good overcomes evil and the people on the ship had an inherently good nature. Batman explains this to the joker in one of the final scenes which provides a nice conclusion to the over two hour long movie.There was much competition for the deranged role of “the Joker” in the 2008 Blockbuster, The Dark Knight. However, director, Christopher Nolan, had always had Heath Ledger in mind for the role. It was Ledger’s ability to completely embrace the Joker’s psychotic qualities that contrasted so well with his nemesis, Batman, that drove the plot and highlighted the central meaning of the movie. Without the Joker, there would be no reason for the citizens of Gotham to question their good nature. Thanks to one of the most malicious and immoral villains of all time, the world can rest assured that good will always conquer evil.